The Road From Sadness Leads to Vienna

Wednesday night is Panera “Eat and Write” night, and while I didn’t write as much as I thought I might–if you call almost eleven hundred words “not as much” a bad thing, that is–I finished a scene and made up my mind about something else I wanted to do with the story.

First off, the scene:

It really is time for Annie and Kerry to split up and say goodbye.  It’s 16 December, and they aren’t expected to return to the school until 2 January, 2012, and those are a lot of days to be apart in Young Lover’s Time.  While there’s time Annie sits Kerry down on “their bench” so she can give him some parting advice . . .

 

All excerpts, this page, from The Foundation Chronicles, Book One: A For Advanced, copyright 2013, 2014, by Cassidy Frazee)

Annie and Kerry sat in silence for nearly a minute. Annie suspected that he was waiting for her to make an opening, possibly out of fear that he would stumble through what he wanted to say. She knew how to get the conversation started. “Kerry, I want you to promise something.”

He started laughing. “The last time I promised you something, I ended up in the hospital.”

Annie rolled her eyes. “This time it’ll be different.”

“I know.” He looked down for a moment before he again looked Annie in the eyes. “What would you like?”

“I want you to promise you won’t show your sadness the entire time we’re apart.” She laid her right hand upon his left and began making slow circles. It’s one thing to be sad; neither of us will enjoy this separation. But please don’t mope, and please don’t pout. Most of all, please don’t break down and crying, particularly in front of your family. I wouldn’t want them to see you that way.”

She took both of Kerry’s hands and held them. “I’m going to miss you; I’ll think of you every day, and wish you a good night when I go to bed—”

“So will I.”

“I know. But this is our holiday as well, and we should enjoy the time with our families. Let’s not spoil it for them.” She slightly lowered her head as the eyebrows rose slightly. “Okay?”

Kerry was about to agree when he picked up on something; a slight waver in Annie’s voice, a tiny different in her body language, the way her fingers seemed to tremble a little against his hand. “You’re sad already, aren’t you?”

Annie slowly closed her eyes an softly grunted. “You know my moods.”

“I should; I’ve been around you almost constantly for the last four months.”

 

“Yeah, honey:  if possible, can you keep the crying to a minimum?”  It also says something for Kerry that he can pick up on Annie’s feelings after a few short months–or has it been longer?  I’m not saying, not yet.  Mysteries, remember?

 

She nodded a couple of times. “Yes, I’m sad to be leaving you. I know you aren’t leaving until tonight, and I would love to stay with you—”

“I promise.” He turned his hands over and pressed his palms into Annie’s. “I’ll keep my sadness private. And I’ll think of you every day, too.”

“I know you will.” She leaned in and kissed Kerry, hold the kiss for many long seconds. “I love you, Kerry.”

“I love you, Annie.” He allowed his eyes to focus on Annie’s locket. “You really are wearing that for your parents to see.”

“I said I would.” She held the locket between the fingers of her right hand. “My father won’t know that I didn’t leave for school with it, but my mother . . .” She looked at Kerry and smiled. “She’ll know different.”

“You’ll tell her where it came from?”

“I will.”

He was about to ask another question when school PA system seemed to be, as always, speaking directly to them. “Attention: all students departing for Vienna please report to the public jaunt center. I repeat: all students departing for Vienna please report to the public jaunt center. That is all.”

Kerry stood. “That’s you.”

“Yes, it is.” Annie shouldered her bag and stood as well. She held out her right hand. “One last time this year?”

“One last time this year.” They strolled hand-in-hand to the Great Hall, passed through the West Entrance, and turned towards the first door on the right.

 

“One last time this year.”  If I’d ever had any kind of eleven year old romance, I probably would have lost it at that moment.  Right now I’d settle for any kind of fifty-seven year old romance, but that’s another story.  I also love using the word “jaunt”.  It comes from The Stars My Destination, one of my favorite novels, and was later used by Stephen King for his story, The Jaunt.  It is what it is:  teleporting.  Sure, it’s done with magic, and some people do it on their own without a problem, but if you need to move a few people from place-to-place, sometimes it’s best to confine the magic to a particular spot, and have someone oversee the jaunting . . .

 

Holly approached Annie and Kerry as soon as they were a few steps inside the room. Even through Holly didn’t need to ask which student was traveling, there was protocol to follow. “Departing for Vienna?”

Annie took a step forward. “I am.”

“Name please?”

“Annie Kirilova.”

Holly spun around the tablet she held and presented the screen to Annie. “Place your dominate hand on the display, please.” Annie set her right hand upon the screen: a second later the tablet beeped. Holly checked the readout. “Thank you, Annie. You’ll be on your way in a minute or two.”

“Thank you.” She gently pulled Kerry to one side and held his hands while faced him.

Kerry had nothing but emotions running through him at the moment; it was as if he’d lost the capacity for intelligent discussion. “I don’t know what to say.”

“Say nothing, then.” She pulled herself into her soul mate and rested against him. “We’ll linger in the silence.”

They stayed that way for a little over a minute before Holly made the final announcement. “All students leaving for Vienna please take your luggage and step upon the platform. Everyone else please stay on this side of the yellow line.”

She gave Kerry one final hug. “Until next year, my love.”

Kerry wrapped his arms around Annie and returned the embrace. “Until next year. Have a great Yule.”

“You too. Happy Yule.” She retrieved her roll-on luggage and stepped onto the platform, which was nothing more than a large section of the floor marked out in red and yellow at the east end of the room. She stood in the front so she could see Kerry before jaunting.

He smiled at her, the kissed the index and middle fingers of his left hand before extending them towards her. “Moyata polovinka.”

Annie did the same using her right hand. She broke into a huge smile. “Moyata polovinka.” Her arm was still extended and the smile was upon her face when she and the other students vanished with a soft pop.

 

And there she goes, off to Vienna, and remember her final stance, because that will come up the next time we see Annie–which should be at the start of the next chapter.  Chapter Twenty-Six is Kerry’s chapter, and while he’ll be by himself for the most part, he’s not really alone.  And he’s going to learn some interesting things during that time . . .

Like in the next scene. which I debated writing.  I’d come up with it on Tuesday, and yesterday it was flowing through my head, the conversation I envisioned.  The only problem was, the more I thought about it last night, the more I wondered if it would kill the flow of the story at that point.  But this tale is about characters and what they learn, and how they use that learning experience.  Also, the conversation includes a character who will actually play an important part in Kerry’s life in a few years, and this moment in time would be a good point to set that foundation.

So now Chapter Twenty-Six looks like this:

Sometimes you have to look hard to see the changes.

Sometimes you have to look hard to see the changes.

Where there was a deleted scene, it’s now been moved and has become part of the narrative.  Even after a year, when I thought I had the story laid out the way I wanted it, new things come to mind.

It’s nice how that work.

Where In the World Is Yule Going?

In my novel the year 2011 is winding down, and people are leaving the school.  Yes, it’s true that there are people of all faiths attending my fictional location, but given that was it originally founded by a bunch of European witches in the late 1600, and that the school still celebrates the old holidays as were once celebrated centuries before, there’s little reason why they wouldn’t clear out the school for a couple of weeks to allow people some time with their families, and to pretty much keep the Åsgårdsreia kids from scaring the crap out of everyone by reenacting the Wild Hunt.

Annie’s leaving:  so is Kerry, though not at the same time.  Annie’s heading back to Bulgaria, and Kerry’s heading to California.  Just like in the days when they “met”, right?  Because of the time zones, Annie’s leaving out about nine AM, and Kerry–well, he’s going to be around most of the day, actually.  You’ll find out more about that in the next scene.

Right now, however, it’s all about getting Annie to the station on time–the teleport station, that is.  The one the school has stashed away for things like the beginning and end of the school year, and the mid-year holiday.

And how is our couple handing this departure?

 

All excerpts, this page, from The Foundation Chronicles, Book One: A For Advanced, copyright 2013, 2014, by Cassidy Frazee)

Kerry waited in the corridor outside Annie’s room. He’d been there for about twenty minutes, and while he could have waited in the mezzanine commons, he thought it best to stay close to her door.

He didn’t want to miss a moment of walking her to the jaunt platform.

Annie finally emerged. She’d changed her top so she was wearing a dark sweater with a full collar, with her locket positioned outside in full view. She was still wearing her dark tan skirt and black leggings, but had changed out her flats for warmer, thicker, tan boots. She had a brown weekender bag slung over her shoulder, which she set to the floor as she turned to shut her door.

Kerry was on the bag in a moment. “I can carry that.”

“It’s okay: I have it.” Annie lifted it to her shoulder with ease. “There’s not a lot in it; most everything else is already being sent to the jaunt room.” She held out her right hand and Kerry immediately took it before they started walking towards the stairs.

 

Annie laid the same move on Kerry that she laid on her father before leaving for school, and almost a year ago, back when I started writing this novel.  She doesn’t want anyone carrying her bags for her.

And where is everyone at this very moment?

 

Students had been leaving the school for the start of the nearly two-and-a-half-week Yule holiday since late last night and early this morning. Unlike the start and finish of the school year, and A and B Levels were being jaunted to various staging locations around the world with their fellow upper levelmates. While Annie wouldn’t need documentation to explain how she arrived at her destination, Kerry knew once he arrived somewhere in San Francisco, he’d be given tickets and boarding passes to prove he’d taken a non-stop United flight from Logan to San Francisco International, and that he’d return to Boston on the second of January.

Cernunnos Tower was mostly cleared out, even now before nine AM. The East and Central Asian and Oceanic students had already departed, and the Western Asian, European, and African students were in the process of departing now, with some of the South American students departing after them. Except for those students living in Alaska or Hawaii, most North American students wouldn’t leave until late in the afternoon–or as in Kerry’s case, not until late tonight.

 

Because The Foundation has to snow the parents of those A and B Level kids, because they don’t know what sort of witchcraft their little love goblins are up to yet.  Hence the gaslighting being referenced, to make Kerry’s parent think he just spent several hours going to Logan International, and then sat on a flight sailing across country to his final destination.

But that’s for later:  Annie’s talking now.

 

“Both your parents are coming?” Kerry had asked the same question last night, but he was trying to keep his mind off her departure by making small talk.

“Yes.” Annie looked straight ahead as Kerry held first the inner tower door and then the other tower door. She continued staring straight down the covered walk as they strolled through the bright light and brisk morning air. “I wasn’t sure if Papa was coming, but Mama said there wasn’t any way he was staying home.” She finally turned and gave Kerry a smile. “Sometimes it seems like I have a difficult time with my parents, but I do miss them—it’ll be good to see them again.”

“Yeah, I can imagine.”

Annie didn’t want to dwell on her family holiday versus his. In the last five weeks Kerry had received two emails from him family: one confirming that he was coming to his grandparents home outside San Fransisco for Christmas, and the last one this past Tuesday requesting flight information. “You’ll have a nice time visiting with your grandparents; concentrate on that.”

He nodded and squeeze her hand. “I will. You going straight home after that?”

“Yes. We’ll jaunt home, then I’ll take my adjustment medication, sleep for three or four hours, and when I wake up we’ll go into town for dinner. By the time we get back it should be around midnight, and I’ll be ready for bed for real.”

 

Yep, teleportation, jaunting, whatever you want to call it:  it’s the only way to travel.

"You guys are flying back to Europe?  You're adorable."

“You guys are flying back to Europe? You’re adorable.”

But there’s a bit more to this story than just getting Annie in a room and sending her home.

You’ll just have to wait for it.

Dancers in the Dark: Away Into the Shadows

Chapter Twenty-Five is over and done, and the shadows had their say.  More or less.  You’ll have to continue reading to see what I mean.

Not only is the chapter done, but I’ve made some modifications to the rest of Part Eight, getting it set up for how I want to write the remaining part of Act Two.  As you can see . . .

It's always better with pictures.

It’s always better with pictures.

I’ve decided to move one scene up to the next chapter, and to actually delete a scene.  Why that one?  Because, in thinking about what happens there, it breaks the flow of the story, and I can actually show what happens there through conversation in two other following scenes.  It also sets up a nice transition, because Frisco Bound has Kerry arrived in San Francisco, and his last thoughts in the scene is right about now Annie should be waking up . . . and then break to the next chapter and Morning in Pamporovo, and guess who’s waking up?

Yeah, that’s how you do it.

But how did that chapter end?  Well, I had my kids dancing before a dying fire, and there was more on Kerry’s mind, it would seem, that a dance from a month before . . .

 

(All excerpts, this page, from The Foundation Chronicles, Book One: A For Advanced, copyright 2013, 2014, by Cassidy Frazee)

They grew close, one hand inside another, Kerry’s free hand around Annie’s waist with her other hand wrapped up and over Kerry’s right shoulder. They swayed back in forth in the shadows in front of the sofa, the dying fire to one side, and the nearly dark commons on the other. Neither spoke for almost a minute as they enjoyed the closeness and intimacy. Annie didn’t want to lose the moment—and she suspected that Kerry was still deep in thought.

She finally decided she had to know if Kerry was thinking about the same thing that had been on her mind for a few days. “What are you thinking about?”

This time he gave here a direct answer. “Yule holiday.”

He doesn’t say Christmas anymore. Annie pressed her head into his shoulder and smiled. “You’re thinking about being apart, aren’t you?”

Kerry nodded. “Yeah.”

Annie ran her hand up and down his shoulder. “I’ve been thinking about it as well.”

“Day after Boxing Day is our four month anniversary.”

“You’re keeping track?” She didn’t want to tell him that she knew this as well.

He laid his head against hers and let his voice drop to a whisper. “Every since the first month we were here—” His chuckle was so low as to be almost inaudible. “That was your birthday, after all.”

He realized; he knew all along. She wanted to put his mind at ease, even if her own wasn’t there. “It’s only going to be a couple of weeks.” Annie raised her head so she could gazed upon Kerry’s face and look into his eyes. “You’ll get to see your grandparent again, and I’ll be back home.” She rested her head against his shoulder once more. “I’m actually looking forward to seeing my parents. I told my father I’d have grown by the time I come home for Yule—”

“And you have. Maybe an inch.”

She thumped him lightly on the back of his shoulder. “Silly. That’s not what they meant.”

 

Yeah, you know what they mean, slick.  But she noticed that her birthday was the first month they were physically together–and I noticed it, too, last night while I was looking something up.  That’s one of the reasons I put dates on everything, and as I was getting the date they met in the bookstore in London, I realized, “Hey, that was a month before Annie’s birthday.”

27 August to 27 September.  I wasn't lying.

27 August to 27 September. I wasn’t lying.

But now that the missing and stuff is out in the open, what next?  Well . . .

 

“I know.” He glanced up the stairs past the mezzanine commons to the unseen entrance to the First Floor where there rooms were. “But we’ve gotta go to sleep soon.”

Annie slowly stepped away from Kerry. At first she followed his gaze up the stairs, then her eyes settled on the sofa. “What if we sat here for a while before heading up?”

Kerry stood next to Annie and let his eyes wander over the sofa. “We might get sleepy here.”

“It’s possible.”

“And . . .” He pointed to both ends of the sofa. “There are pillows and comforters here.”

Annie said nothing for a few moments, allowing the implications of the ideas they were considering settle. “It’s not like anyone ever slept here.”

Kerry picked up two pillows and laid them at one end of the sofa. “Otherwise why would they have this here?”

Annie picked up a comforter and spread it out. “Only makes sense.”

“It certainly does.” Kerry waited for Annie to pull the comforter back before laying down and pressing himself against the sofa back.

 

Hey, you kids:  what are you doing?  I’d say they’re getting ready to go to sleep . . .

 

Annie lay next to her soul mate on here right side, her back against him. She reached down and pulled the comforter over them, snuggling it over their shoulders and around their necks. “You know we could get detention—”

“I know.” He slid his left arm over her waist. “We’ll just have to get up about five or so and head up to our rooms.”

“That isn’t a problem.” She sighed as she watched the fire go out. “You’re not worried?”

Kerry rubbed his nose through Annie’s hair. “If we get detention . . .” He pulled back her hair and kissed her behind the ear. “It’s worth it.”

She took his left hand and held it tight. “A month ago you wouldn’t have said that.”

“A month ago I was only starting to know how I felt about you.” As the fire finally died and the embers began to smolder, Kerry brushed Annie’s cheek. “Good night, Annie. I love you.”

She touched the back of his hand. “Leka nosht, Kerry. I az te obicham.”

They relaxed and closed their eyes, Kerry’s arm once more around Annie’s waist, her hand still in his.

They drifted towards their dreams as the shadows embraced and held them tight . . .

 

And there they go, zero shits given if someone stumbles across them on a Sunday morning–which, traditionally, is a time to sleep in, so if they sneak up to their rooms on a floor they share with no one else, all should be right in the world.

I’m sure the shadows will tell them if someone comes.

Dancers in the Dark: the Dance Begins

Here we come, already, to the almost end of Chapter Twenty-Five.  There was a lot going on over the weekend, and I actually did get a lot done, and spent a lot of time on the road as well.  You wouldn’t know it by looking at me, but for most of Saturday I wasn’t even online, save for those periods early in the morning when I was doing my Saturday blog post.  And not sleeping.  Hated that part.

That part is over, however:  the last two nights I’ve gotten pretty good sleep, and even this morning I don’t feel as if I’m drugged.  Though I think the walk to work is gonna be chilly, since it’s only 37 F outside–

Hey, that’s pretty much the same temperature as the outside when I wrote this scene.  I know ’cause I looked it up.  Which is why the scene starts this way . . .

 

(All excerpts, this page, from The Foundation Chronicles, Book One: A For Advanced, copyright 2013, 2014, by Cassidy Frazee)

The door leading to the lower level open and two students stepped into the Cernunnos Tower ground floor commons. Anyone still awake in the tower would have recognized them right away for they were almost always the last ones to leave the Midnight Madness these days, but no one else was on the commons floor at thirty minutes after midnight.

Annie and Kerry slowly made their way towards the stairs at the other end of the commons floor, but before they could turn and ascend to their rooms, Kerry stopped and lightly tugged on Annie’s hand. “Do we have to go up right now?”

Annie didn’t need much coaxing. “We could sit in front of the fire.”

“What’s left of it.” The fireplace was enchanted so that it would begin burning out not long after midnight every night. Kerry led Annie over to the sofa; he sat first, then waited for Annie to sit next to him before he pulled her close for cuddling.

“It’s still warm, though.” Annie liked how Kerry was now taking initiative when it came to romantic gesture. Not that he hadn’t before, but since his declaration of love after the Day of the Dead, he’d begun doing things—like this suggestion they not go up to bed right way—without needing hints first. “And you’re keeping me warm.”

 

Kerry:  Keeping Annie Warm Since a Couple of Weeks Before.

I would have tried to find a picture with a boy in here as well, but most were of the "Too Sexy" varaity.  So, just imagine Annie in a few years after she's sent Kerry off to some magic story in another country, and she's killing time waiting for his butt to return . . .

I would have tried to find a picture with a boy in here as well, but most were of the “Too Sexy” variety. So, just imagine Annie in a few years after she’s sent Kerry off to some magic story in another country, and she’s killing time waiting for his butt to return . . .

Though the truth is he’s done that before–sometimes without even being asked.  But things are different with him now, particularly since he laid the “I love you” bit on Annie.  He must be feeling the vibe a little more.

Of course Annie thinks he has something on his mind, because he’s been quite tonight.  She then has to ask about what’s on his mind.  And . . .

 

She received an answer, but it wasn’t the one she expected. “The dance.”

“The Samhain dance?”

“Yeah.” Kerry touched his cheek against her hair. “It’s been almost a month now.” He chucked softly as he stared into the fire. “I miss dancing.”

Annie turned so she could see his far and figure out if he was joking: he wasn’t. “You do.”

“Yeah, I do.” He closed his eyes for a moment. “I’d never danced with a girl before; it was . . . special.”

“It was special for me as well.” She turned back and was staring into the fire along with Kerry. “I’d never danced with a boy before, nor did I have anyone dedicate a song to me and then dance with him—alone—in front of everyone there.” She felt a tingling in her head. “I still get a little light headed thinking about that moment.”

Kerry slipped around Annie and stood. He faced Annie, and with the fire to his back his entire front was cloaked in shadows. “Dance with me?” He held out his hand for Annie to take.

She looked up, and the tingling in her head intensified. “There’s no music.”

“We don’t need any.” His hand remained outstretched. “Dance with me, Miss Kirilova?”

Annie took his hand and allow him to assist her to her feet. “I would love to, Mr. Malibey.”

 

I’d keep an eye on those titles they just threw out, because . . . you might hear them now and again?  Isn’t that called foreshadowing?

They must be about to get into trouble.  Yeah, that’s it . . .

Count the Ways to Count the Story

With NaNo right around the corner–less than two weeks to go now–one of the key points that comes up again and again is, “How do I track my word count?”  It’s an important thing with NaNo, because you gotta run that 1,667 words a day count every day, or you’ll fall behind quickly.  The reality it, however, that when you write you usually have a need to know about how much you’re writing every day, and how big your story is becoming–or how many more words you need to write to turn a novelette into a novella.

Keeping track of your word count in easy in Scrivener, and there is a great deal of flexibility when it come to knowing the counts of scenes, chapters, parts, and even the whole novel. I do that to track my current novel, and I’ve used it with all my other works.

Let’s take a look, shall we?

The easiest way to keep track of your progress come from using your Project Targets.  This is done from the menu, using Project>Project Target, or by selecting Ctrl-,.  I show these all the time on my screen shots, and here is my current view.

I know, it feels like I'm bragging.

I know, it feels like I’m bragging.

Project Targets allow you to set the size of your story–the Manuscript Target–and how much you want to write while Scrivener is running–the Session Target.  Something to keep in mind here:  a session is the time that Scrivener is up and running.  If you bring the program up, type in 800 words, then close it and bring it up again later, the session bar resets:  it doesn’t track what you type in a day.

You can see that the pop-up window allows you to define your targets for both the full manuscript and how much you want to write.  Now, there is a bit of a cheat with the Manuscript Target:  notice the check box, “Documents Included in Compile Only”?  Yeah, that’s an important item.

Let’s first look at this screen, which is of one of my chapters in the recently concluded Part Seven:

I don't miss you, you monster.

I don’t miss you, you monster.

Over on the right you’ll see the column, “Include in Compile.”  Compile is the function that Scrivener uses to take all the stuff I have on the screen in front of me and turns it into a document of your choosing.  Such as–

I take all of Part Seven--

I take all of Part Seven–

Press the “Compile” button . . .

To 149 pages of awesome.

And turn it into 149 pages of awesome.

Whatever you have ticked off as “Include in Compile” will be converted into whatever you like by Scrivener.  It’s a great way to not only control what you print and create, but track your wordage.

But if you’ll notice, that’s a check box under your Manuscript Target.  With my story I have everything in Act Two–the part of my novel I’m currently developing–checked for Include in Compile, but everything in Act One is turned off.  Why?  Because I want to check my progress for Act Two only.  However, if I uncheck that box–

Now it really feels like bragging--

Now it really feels like bragging–

Everything in the manuscript–see the very top left of the Binder–is included.  And you can see how my progress bar jumped from the orange of Act Two–which is only about half way to the three hundred thousand total of the manuscript–to the bright green of “I’m almost to the end.”  Numbers and colors help you visualize where you are in the writing process.

You can see that even better when you are tracking the progress of your document.  Let’s look at the last scene I completed and check out the lower right hand corner of the screen.

Right down here.  See?

Right down here. See?

Click on that little dot and you’ll get another pop-up that allows you to set the total wordage for the document you’re working upon at the moment.

Three thousand seems like a good number.

Three thousand seems like a good number.

Hit Ok and you’ll see the following pop up at the bottom of your screen:

Look--new stuff!

Look–new stuff!

That first number–the 2,152–that number id always there–just look at the picture above.  Now you have your target number to the right of what you’ve written, and there is a progress bar next to the button, which is now red to indicate you haven’t reached your goal.  Once you do, that dot turns green:  trust me, it does.

This is also a great thing for keeping track of your progress if you’re bring up Scrivener and closing it several times during a day.  You can either keep everything in one document that you’re working on for the day, or adjust the target number as you go from document to document.  Easy Peasy.

Last of all, we can look at our Project Statistics, which you can find on the menu under Project>Project Statistics, or by selecting Ctrl-..  Scrivener will give you a snapshot of your identified manuscript–using your Compile and how you set up things under your Option tab–and what you may have selected in your Binder.  Here I’m identifying Act Two as the manuscript, and I’ve selected Part Eight.  So I bring up my stats, and . . .

Act Two seems quite the page turner.

Act Two seems quite the page turner.

Just so you know, I have my pages set up on my Option tab as three hundred and fifty words per page, so that’s how Scrivener figures that my Act Two is 370 pages long once you figure in the page breaks for Act, Part, and Chapter headings.  Not quite A Dance With Dragons, but I’m getting there–with fewer deaths, too.

There you have it:  so many ways to watch your counts.  Now all you gotta do is write.

The Shadow Teaching

It’s way early right now, like five AM early, because I didn’t sleep at all.  Well, a little here and there, but not as well as I would have liked.  And I can’t make coffee this morning, so somewhere along all my driving today–yep, I’m out on the road once more–I gotta find some java.  And then a couple of rest stops along the way.

A question came up last night:  what’s you’re current word count.  Well, now that I have two of three scenes finished for Chapter Twenty-Five, it’s pretty easy to say, “I’m right here now.”  That’s means a couple of screen graphics are in order.  First, where am I with the Act?

Yep, right there.

Yep, right there.

And there where am I with the novel?

I'm at a point between foolishness and total insanity.

I’m at a point between foolishness and total insanity.

I’d mentioned, just off hand, that I’d hit somewhere around 280.000 words, and I was right there in the ballpark.  This makes me believe that Act Two will likely end up somewhere between 150,000 and 160,000 words, or just slightly longer than Act One.  And if Act Three is about the same . . .

Yeah.  Madness.

With that in mind, what’s the madness going on in my kid’s private lab?  Annie’s impressing Kerry with the thing she made for him–sort of . . .

 

All excerpts, this page, from The Foundation Chronicles, Book One: A For Advanced, copyright 2013, 2014, by Cassidy Frazee)

Kerry wasn’t quite sure what to make of the . . . ribbon floating before him. “It’s pretty—” He gave Annie a puzzled look. “What do you call this?

“It’s called a shadow ribbon—at least that’s what the spell is called.” She waved her hand to her left and the ribbon moved to Kerry’s right, then up and over his head, to finally float back down on his left and settle back where it had started. “You can make them as big or small as you’d like, and once I know how to work this spell better, I can control more than one at the same time.” She nodded at the animated shadow. “Go ahead, touch it.”

He ran his fingers over the wavering ribbon. I shouldn’t be able to touch this, but I can. “It feels like silk.”

“Light and flexible, yet strong—just like it.” She came closer and placed her hand next to Kerry’s. “I’ve actually see people use these to suspend heavy objects from walls and ceilings.” She removed her hand and performed a quick circular motions with her outstretched index fingers. A moment later the ribbon partially wrapped itself around Kerry’s right wrist. Annie slowly waved her right hand off to one side, and the ribbon lifted Kerry’s arm away from his body. “I can use it to take you were I want you to go.” She chuckled, her eyes shinning brightly, happy that she could show off her abilities to her soul mate.

Kerry chucked as well. “It’s not like you need magic to have me go somewhere with you.”

“That’s true for now . . .” Annie waved both hand and the shadow disappeared into nothingness.

 

For a young lady who’s just starting out at a school for advanced students who can bend reality, she’s able to crank out the crafting.  And someone is noticing . . .

 

“Most sorcery is fairly blunt force in its application: shadow magic requires a deft touch to craft correctly. Lovecraft said it was like the different between punching holes in walls to working with rice paper.”

“I saw how you were working with it.”

“Yes.” Annie nodded. “Light touches everywhere.”

“That was pretty obvious.” Kerry smiled broadly. “I don’t know why Lovecraft was so surprised, though: she should know by now you’re really good when it comes to this stuff.”

“Well . . .” She blushed thinking about how Professor Lovecraft had asked her a couple of times if she had actually done Shadow Ribbons before, since she was able to craft a ribbon on her third time, and it had taken her weeks to manipulate her first one.

“After all—” Kerry stepped next to her, taking Annie’s hand. “You are my Dark Witch.”

“Stop.” She brushed her fingers down his chest in mock anger.

“And now you’re the Dark Shadow Witch.” He laughed, and Annie joined him a moment later. “I don’t understand why this is sorcery, though. I would imagine Wednesday would teach this to us.”

“It’s because it can be used against people.” Annie took Kerry’s left wrist in both hands. “As light and silky as that shadow felt, I could have tightened it until . . .” She pretended to pop his hand off his arm.  “It would have been easy to amputate your hand.”

“Glad you didn’t.”

“I’d never do that to you . . .”

She didn’t say about doing it to anyone else. “I know.”

 

Yeah, she never said anything about lopping off someone else’s hand.  You know, like nosy wingmates who are asking personal questions of your soul mate . . .

But that’s for the future.  Annie has something else in mind at this very moment–

 

Annie studied Kerry closely for almost twenty seconds. He said nothing, but she expected that: he’d grown used to watching her observe him. She though about how he’d looked when she’s created the ribbon, and how acted when she maneuvered it around his body and wrapped it around his wrist. It won’t hurt to ask . . . “Would you like to learn how to do this spell?”

Kerry’s eyes beamed. “You’d ask Lovecraft if she’d teach me?”

“No.” Annie’s eyes beamed back. “I’d teach you.”

“Wait . . .” He brows furrowed. “I thought you have a sorceress’ bargain with her so you could access the library in the Witch House?”

“I do.” Creating a bargain had been a requirement before allowing Annie into The Black Vault. “The bargain says that anything I learn in The Vault I can’t pass on to others—” She tapped Kerry on the chest. “I think that was designed to keep me from showing you everything I learned.”

He’d figure that as well after she explained the deal she’d worked out with Professor Lovecraft after she’d shocked Kerry into the hospital for the night. “What’s different now?”

“I didn’t learn this spell in The Vault.” Annie turned her eyes up towards the ceiling for a few seconds. “This isn’t the first spell I’ve learned, either—And none of them I’ve learned in The Value.” A slight, playful grin played across her face. “Lovecraft won’t let me practice any spells in The Value. She says it’s too dangerous.”

 

Now we reach the part of the program where Annie, after almost three months in the joint, decides it’s time to step up the game and start passing along what she knows to her significant other.  Though it would seem as if the wonderful Mistress of All Things Dark left a big opening for Little Miss Dark Witch to do just that.  And she’s realizing it, but . . .

 

It could be she wants to see if I’m going to take what I’ve learned and pass it along to him. She gazed deeply into his eyes. But this is something he should know—something I want him to know . . .

She made up her mind in an instant. “I want to teach this to you.”

Kerry chuckled and turned his gaze towards Annie’s feet. “I don’t know; I think—”

“Kerry.” He snapped his heard up and met Annie’s burning gaze. “You’re a good sorceress. Lovecraft said so, and I say so.” She ran her right hand down his arm. “It’s time you became my Dark Witch.”

 

No shits are given–she wants her own Dark Witch.

And we all know by now:  what Annie wants, Annie gets.

Shadow Lab

The action in the story returns to the somewhat infamous lab my kids have in the sub-levels of their home away from home, Cernunnos Tower.  And, for the first time in two chapters and a dozen scenes–I know because I counted them–the scene is told from Kerry’s point of view.  That’s unusual, but given that he spent nearly the time in one chapter in a coma, expected.

This time, however, he’s only sleeping on the sofa in the lab when Annie shows up with great news.  Well, she’s happen he at least wakes up, but there’s better news:  she learned a spell!  And she wants to show it to him.  What’s it all about?

Shadows.

Different shadows, guys.  Sorry.

Different shadows, guys. Sorry.

And it makes up a good part of what I wrote last night:

 

All excerpts, this page, from The Foundation Chronicles, Book One: A For Advanced, copyright 2013, 2014, by Cassidy Frazee)

Annie stepped near the mid-point of the table and looked about the room as she adjusted the ambiance. “Lights, low.” The lighting dropped to something akin to the illumination they would have with a low fire. Annie moved towards a collection of shadows in the corner farthest from the sofa. “This is what you can do with shadow magic.”

She stood before the collection of shadows and spread her hands out before her, as if she were smoothing out an invisible sheet. She did it twice more, then began making a pattern on the invisible sheet with her fingers. Annie continued laying out her pattern, then slowly lifted her hands the slightest bit—

A section of the shadow darkened and coalesced before it parted from the rest of the mass and floated towards Annie’s outstretched hands. The section was maybe a half a meter long and ten centimeters wide, but from where Kerry stood, it seemed as if whatever his sweetie had created had no visible thickness.

The segment of shadow hovered a few centimeters from Annie’s fingers. She didn’t look away from her creation as she brought up the light to medium illumination; while the other shadows grew dim in the brighter light, the one hovering before Annie remained dark and solid.

She skimmed the shadow through the air towards Kerry and brought it to a hover about twenty centimeter in front of the amazed boy. Annie lowered her hands and approached. “How do you like that?”

 

Short and sweet, with a bit of a lead-in about what Kerry was working on for Ostara.  Actually, I’m trying to keep them all short and sweet at this point, but there are still a lot of scenes to write–and one or two that might just get the ax before I get to them.  I’ve got one in my sights right now . . .

You can guess which one of these, 'cause there's no guessing with me.

You can guess which one of these, ’cause there’s no guessing with me.

That’s my evening and I’m sticking to it.  I have something in mind for tomorrow, and since I’ll be on the road most of the day I’ll likely need to write that tonight.  And since I have to run out and fill up my silver beast . . . I know just the place to do that.