Whereas the night before I was adding words to a scene, last night saw a balancing of the books, so to speak. Second rewritten screen, and this was made somewhat better because silly little things were removed, and I keep someone sitting in the shadows until the last moment.
It’s all a matter of perspective.
Mostly I felt great writing last night. I’d been thinking about what was needed for the rewrite, and it hit me some time back: keep the room dim and keep Annie sitting. Have her in the shadows, but put Kerry there, too, so that they can see each other, but not very well. Keep her in here chair, watching this strange boy who doesn’t seem to know where his book are. And keep the name reveal until the last moment, so she stands only to tell her name and hear his. And then be shocked. Or her version of shocked, at least.
There were days and days of hesitation, so being able to get into the story, look at what was written, and then just start writing was a marvelous feeling. It was even better knowing what I was going to write, and when, and just wrote. Sort of like old times before I was stressed and weirded out by a whole lot of things.
One of the things I’ve been playing with in Scrivener the last couple of nights are snapshots and using a drop-down function in Compile to make it easier to do a chapter at a time. The snapshot is what your your scene/chapter/document looked like before you started messing with it. As there were a few things in the Book Store Scene I wanted to use, I needed to ensure I didn’t get cut happy and waste a section before realizing, “Hey, that was important.” So I snapshotted it, gave it a name, and left it to sit while I did my biz. Since I’m happy with how the scene turned out, I’ll delete it tonight.
The important thing about the snapshot is being able to “roll it back” into the existing document. That way, if you totally hose up your scene, you replace your new hot mess with the old, and things are good as new. Though if old was a hot mess as well, good as new might not be an improvement.
I’m sending off the rewrites to a beta reader, and to do that I’m compiling them into pdfs. Since I don’t want to play “Click That Scene” to get the right one to compile, I’ve used a drop-down box on the Compile Pop-up to get to the scene in question. Just roll through your manuscript, find the act/part/chapter/scene, pull that out and click it to select. Then compile and get your print out. Easy as pie.
Tonight that big “To Do” gets tackled. I know what I’m going to say, because I’ve played that scene out in my head a couple of times. Or three. Or maybe a dozen.
It’s all relative when it comes to writing, you know?