It took a few weeks, but I reached another milestone last night: I finished Part Three in the novel. It didn’t take a lot–just a little over eight hundred words–but that was enough with the scene the bed, finish the chapter, and set the part aside.
All those First Drafts looking nice and pretty.
This means it’s time to move on to Part Four, which means I’m into the last part of Act One. It also means I’m into the first of the chapters, Chapter Twelve, that need to be laid out now. Chapter Eleven was the last chapter in the book which I plotted out, and now it’s necessary to move on ahead and start laying out scenes. Tonight I’m likely going to do that for Chapters Twelve and Thirteen and perhaps lay down a few scenes for the remaining three chapters of Part Four.
Yeah, I got some work ahead of me. But it’s not like I don’t know what’s coming…
Speaking of that–not knowing what’s coming, that is–let’s move a little further along in our conversation between Ramona and Helena and see what they make of the Great Musical Zombie Killing:
(The following excerpts from The Foundation Chronicles, Book Three: C For Continuing, copyright 2016, 2017 by Cassidy Frazee)
“How do you think I felt when Isis braced me last night?” Ramona leaned forward in her chair. “And then this morning she tells me additional things, like it’s a Do or Die test and there’s going to be music played. I didn’t understand that at all.”
Helena snorted. “And what was with the music? Who the hell picked that song?”
“I assume someone in San Francisco. I mean, if anyone wants to know what sort of music Kerry likes, all they need to do is go out to his YouTube account and take a look at his playlists. It’s all public, so it’s not like anyone would need to go out there snooping about in secret.”
Helena rubbed her eyes as she considered Ramona’s remarks. “It’s goddamn stupid, if you ask me. I’ve never seen a test conducted that way.” She tilted her head back and let herself go slightly limp. “Gabriel must’ve been tripping bear balls when he put this test together.”
Ramona stared across her desk at Helena for about five seconds before she shook her head. “That test was not authorized by Mr. Gabriel.”
First, we now know that Kerry has a bunch of public playlist on a YouTube account–which makes him sound just like a certain author we all know. Well, it is cheaper than paying for Pandora or Spotify, though one day Kerry likely will start doing that. (As to whether or not Annie has Pandora and/or Spotify, I think we already know the answer to that question.) Second, this is the first time we’ve also heard Helena use an expression like “tripping bear balls”, which is an unusual thing for her to say, but not completely out of the question. It also makes me wonder if she is somehow related to Cheryl Tunt…
Lastly, though, we see that Helena is just too close to the problem and can’t see something that Ramona picks out immediately: that a person she’s had dealings with in the past concerning Guardian affairs didn’t do something she thinks he did. And Ramona’s reasoning?
Helena sat up long enough to recross her legs and throw her left arm over the back of her chair. “What do you mean?”
“I mean it doesn’t seem like his style.” She tapped her index finger against the tip of her nose several times as she thought. “I’ve only had to deal with the gentleman a couple of times, but everything I’ve seen leads me to believe that he would never authorize a test like the one we had this morning. His style is classical, while the one we saw today—” She gave a quick shrug. “Totally modern pop.” Ramona lay her right hand on her desk and tapped it for a few moments. “Did you recognize any of the names on the emails you received?”
That was an easy question to answer as there was only one name on Helena’s email. “I recognized the name on my email right away: I’ve been dealing with her for six years.”
“There’s been three or four people I’ve had to deal with in the last six years and only one of their names popped up among the three I saw on the email they sent me regarding additional requirements for the test.” Ramona gave her head another shake and tapped her fingers on the desk once more. “Between that and the conduct of today’s test, I don’t think I’m entirely off base when I say I’m not sure the old guard is still in place in San Francisco.”
Though Helena wasn’t ready to agree with all of Ramona’s assessment, her comments concerning Mr. Gabriel and how it seemed unlikely he would’ve authorized the test they witnessed today did ring true. Though Helena didn’t work directly for SOP—she was actually a member of Field Operations Division, or FOD, which some wags in the Guardians said was the acronym for “Forced on Operation and Died”—she had plenty of opportunities to cross from one department to another, and had had more or less a cordial relationship with Gabriel for little more than a decade.
This meant she knew something of the way he conducted himself, as well as the way he conducted business as the director of San Francisco SOP, and Ramona was right: there was no way he would’ve authorized today’s test. His idea of a test would’ve been far more traditional—possibly more homunculus on the test area at once as well as a shorter time period in which to achieve goals. But he would’ve never set this up as a Do or Die operation, nor would he have allowed music to be played—at least not the music they heard today.
Helena was about to say something when Ramona interrupted. “Did you notice Isis playing around with her tablet throughout the test?”
Once you establish yourself as having a particular style, it’s easy to notice when that style changes. With most of these witches, style change doesn’t come about easily, so something drastic occurs one can assume that someone new is calling the shots. That’s what Ramona noticed right away, probably because while she’s had dealings with the Guardians, they’ve been limited. This would make any change in procedures stand out rather dramatically.
And for the first time we find out which section of the Guardians Helena works for: Field Operations Division. She stated before that she’s done work for SOP, but they are not the boss of her–at least not directly. Because of her injuries we know FOD doesn’t put Helen out in the field as much as in the past, and when she does go out it’s usually in a supervisory capacity. Which may or may not be all right with Helena, but there’s little she can do to buck her bosses at this point. Besides, like it or not she’s collecting a paycheck from both the school and the Guardians, so why complain? And, being at the school as she is, she’s usually the first to see new talent. Like, you know, a couple of kids who arrived at Salem two years ago–
With these questions out of the way close again quickly on the end of this conversation…